The Gildehall at Borrehaugene, Norway

This is pretty much what my dream (long)house looks like. If I was filthy rich, I would build a reconstruction like this one right away! These photos were taken a few years ago, under the construction of the Gildehall in Horten. I was there long before they opened the Hall for the public eye and managed to snap these photos. I think it looked pretty amazing this way, as I am quite the fan of wood – but I must say that the blackish paint it sports now looks badass like Hel. I am going to Midgardblot this year too, and that will be a good chance to take quite a few photos of what it looks like these days. Photographing at the site will probably happen before that, though. My my iron horse (*cough* mercedes benz) and I frequently pass the area on our way to visit my parents and I often make a stop at Borrehaugene to breathe some norse vibes.

so tell me;
Are you going to Midgardsblot this year?

Sól Geirsdóttir, The Viking Queen

The glorious Viking Ship Museum (part four) – The animal heads

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Five carved animal heads were found in the Oseberg grave. Four of them are displayed at the Viking Ship Museum for the public to behold. The fifth is in very poor condition, and the remains are therefore kept in the Museum’s depository. Because none of the animal heads are alike, researchers believe that the animal heads have been made by different woodcarvers. The heads are carved out of maple wood, and two of them are adorned with silver rivets. The making of the animal heads must have been quite the challenge. The woodcarver(s) had to find a naturally curved piece of wood from the lower part of a suitable tree trunk.

We do not know for certain what the animal heads have been used for. As with many of the mysteries of the Viking Age, one can only wonder. Four of the animal heads were found in the burial chamber, and one on the forward deck. They were all found with a rattle and a piece of rope. One of the ropes passed through the mouth of one of the animal heads, like reins. There was a shaft about half a meter long at the base of the neck of each of the heads. It is possible that the heads were carried using the shafts. They might also have been mounted on walls, or perhaps even on a throne (or anything, really). But most interessting of all is the theory that they had some sort of magical or religious significance. They might have played a significant part in offerings, and maybe the burial ritual of the Oseberg Queen herself.

Sources: Museum of Cultural History, UiO
Photos: Sól Geirsdóttir

The glorious Viking Ship Museum (part three) The cart and sleighs

 oseberg77oseberg-pt3-9oseberg42oseberg-pt3-1 oseberg-pt3-2 oseberg-pt3-11oseberg-pt3-6oseberg-pt3-12oseberg-pt3-7  oseberg-pt3-10In The Oseberg Queen’s grave, there were more than 12 horses, 3 ceremonial sledges and a cart. The placement of the sledge shafts indicate that there could have been a horse on either side. The cart (1st pic of this post) was probably only used for special occasions. The back of the cart is decorated with carvings of cats – often associated with our fertility goddess Frøya. The front end shows a man being attacked by serpents, possibly portraying the tale of Gunnar in the snake pit. The sleighs are made of different types of wood and were richly carved. The placement of the sledge shafts indicate that they were pulled by two horses. We believe that the sleighs were made for pageantry and therefore, appearances were important. These carvings were enhanced by black and red paint, and tinplated nails were also part of the decoration. Unfortunately, the colours were difficult to preserve and cannot be seen today.

The best viking bling is ancient museum bling! 😉 I am always in awe when beholding the gorgeous Oseberg finds. Yass!

Sources: Uio, Museum of Cultural History & The Viking Ship Museum
Photosss: Sól Geirsdóttir

The glorious Viking Ship Museum (part two)

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Tools for textile production

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Two yarn winders for beechwood. The balls are balls of yarn;)

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Tent Frames. These objects were too fragile to be mounted in the correct position

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Tent plugs

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Authentic viking shoes. Behoooold! 

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Mystical rune inscription that possibly reads “unwise person”

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Chests, Boxes and Various Wooden Containers:

“The Oseberg grave was rich in chests, boxes and casks. The beautiful metal-bound buckets of yew-wood with gilded bronze fittings, were probably produced in England or Ireland. The Oseberg grave contained neither jewelry nor precious metals. Some of these items may have been deposited in this damaged chest and removed by the grave robbers who broke into the chamber.”

Text: The Viking Ship Museum, UiO
Photos: Sól Geirsdóttir

The Oseberg Ship

Behold part one of more posts to come about the Viking Ship Museum at Bygdøy, Norway! (Yes, I have been here several times – for previous posts click here and/or here (:
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”The oseberg ship was found in a large burial mound on the Oseberg farm, in Vestfold, and excavated  in 1904. The ship was built sometime between 815-820 AD, but was later used as a grave ship for a woman of high rank who died in 834 AD. The woman had been placed in a wooden burial chamber on the aft deck of the ship. The burial mound was constructed of layers of turf which preserved both the ship, and its rich contents of wooden objects, leather and textiles. The burial mound was plundered by grave robbers in ancient times – probably the reason why no jewellery or gold or silver objects were found in the grave. The 22 meter longs hip was built of oak. The number of oar holes indicates that the ship was rowed by a crew of 30 men. The ship had no seats, and the oarsmen probably sa ton their own wooden ship’s chests. The oars could be drawn in when the square sail was raised. The steering rudder was placed on the right aft side of the ship- the starboard side. The Oseberg ship is less solidly constructed than the Gokstad ship – only the upper two rows of side planking extend above the water line. It was probably a royal pleasure craft used for short journeys in calm waters.”

Text: The Viking Ship Museum
Photos: Sól Geirsdóttir

Oslo Medieval Festival (part two)

Part two of this post <— I love taking photographs at Viking Markets, and I have many more of these coming up for you guys. Stay tuned! Beautiful craftsmanship makes me drool and I bet there are other weirdos out there who do the same when they behold that kind of beauty. Viking Weirdos unite!  *raises fist and performs an awkward dance in our honor*
Like I said in my previous post, Oslo Medieval Festival takes place at Akershus Festning in Oslo – Norway the 26th-28th of May 2017. Info about it here (their webpage) or here (their Facebook page). Thank the gods for google. Information about upcoming events is usually easy to find there, but I thought I’t put it here for you anyways.
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So grateful for brighter days and the turning of the sun. Slowly, but steadily re-gaining some energy and feeling stronger every day. Soon, it will be spring and I am currently sitting here with an old sketch book, planning which markets to go to. Being familiar with the scene and having been to loads of them over the years makes me want to revisit my favorites, but also try a few new ones. I shall make a post about which ones I will visit personally in the near future. Most of these will probably be Norwegian, but I would love to loot other countries like Denmark and Sweden (shouldn’t be too hard, since we’re “neighbors” and all). There might even be a possibility to visit Wolin Viking Festival in Poland too- I’ve been wanting to do so for years and who know’s what might happen. All I know is that this year shall be filled with creativity, good energy, true friends and loads of creations<3 ‘Tis the year to expand my Kingdom!

Sól Geirsdóttir / The Viking Queen

Work work work work work work

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This is what I’m doing tonight. Working on one of my new viking dresses! Good fun for this gal.
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Høst does not look amused…
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(I think these will look good with this fabric. Bronze is my fav for earth tones.. I used to wear these a lot before I upped my vikingbling game. Figured I’ll use different Viking boob bling for different outfits.)
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…Sága is still a wee kitten, and therefore easy to amuse
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I think I will go with black linen thread for now. Will use wool thread for the embroidery 😉
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Oh my gods, her face! Hahaha

Tonight is all about creative vibes, and of course – my two cats. Those of you who live with cats know that sewing is an activity that is nearly impossible to engage in… My fur babies follow me everywhere, and I mean everywhere I go! They love to place their butts right in the middle of my fabric, often just as I’m about to cut it or pin it together. Pursuing my creative needs can be bit stressful due to my cats’ constant interest in “what their mom is doing”. But that’s a small price to pay for all the kitty love I receive ❤ !

What interrupts your work? 

Sól Geirsdóttir